The subject of this film, which takes an analytical look at the life of all of us with an analytical eye, is the evil microbe that has slowly infiltrated the organism of the Czech nation. Through the intertwining fates of three couples, it evokes domestic life before November 1989, burdened by a suffocating atmosphere of unfreedom, and after November, when relatively nothing has changed because people have not changed. The bleak conclusion suggests that the plague epidemic is still ongoing.

In the near future, the “method” controls the health and freedom of society. The life of neuroscientist Mia Holl, who is loyal to the system, changes abruptly when her brother Moritz Holl is wrongly accused of murder and imprisoned. In the fight for truth and justice, Mia begins to question the system and becomes the hunted herself.

A man is surprised by the arrival of a meteorite in his room.

Two students are hired by the mafia to clean up crime scenes. On the last day of work, a problem: a body is not 100% dead.

One dancer, one body, one phone. In a time of collective alienation and technological mass control, one woman rediscovers her soul and reclaims her mind. A short, experimental self-portrait composed of 100 video screens, Corpus and the Wandering transcends the walls of a fragmented grid system to uncover the shared humanity in each of us, and our place in the cosmos.

Terrence McNally’s Corpus Christi is a play retelling the Jesus story, with Jesus as a gay man living in the 1950s in Corpus Christi, Texas. This documentary follows the troupe, playwright, and audience around the world on a five-year journey of Terrence McNally’s passion play, where voices of protest and support collide on one of the central issues facing the LGBT community: religion.